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Released in 1955, this song ranks among the greatest recordings of all time.

“Unchained Melody,” composed by Alex North with lyrics by Hy Zaret in 1955, was originally created as the theme for the prison film Unchained. The song’s heartfelt lyrics and haunting melody quickly struck a chord with audiences, leading to numerous renditions over the decades. Among these, the Righteous Brothers’ 1965 version remains one of the most iconic and enduring interpretations.

The Righteous Brothers, consisting of Bill Medley and Bobby Hatfield, were celebrated for their emotive vocal style, often categorized as “blue-eyed soul.” Their partnership with producer Phil Spector produced several hits, including “You’ve Lost That Lovin’ Feelin’.” However, “Unchained Melody” was unique as it was produced by Medley himself, highlighting the duo’s versatility and depth.

During their 1965 live performance of “Unchained Melody” on The Andy Williams Show, Bobby Hatfield delivered a solo rendition that mesmerized viewers. His powerful tenor voice conveyed profound emotion, especially in the final verse, where he introduced subtle variations that gave the song a distinctive flair. This performance not only showcased Hatfield’s vocal strength but also cemented the song’s place in popular music history.

The Righteous Brothers’ rendition of “Unchained Melody” achieved significant commercial success. Initially released as the B-side to “Hung On You,” it quickly gained popularity, climbing to No. 4 on the Billboard Hot 100 chart in 1965. The song’s appeal endured over the years, experiencing a resurgence when it was featured in the 1990 film Ghost. This exposure introduced “Unchained Melody” to a new generation, reaffirming its timeless charm.

Elvis Presley, often hailed as the “King of Rock ‘n’ Roll,” greatly admired “Unchained Melody.” In the 1970s, he began incorporating the song into his live performances, infusing it with his unique style and emotional depth. One of his most memorable renditions took place during a 1977 concert in Rapid City, South Dakota, where he accompanied himself on the piano. This performance, captured on film, is frequently regarded as one of his most poignant, especially considering it occurred shortly before his passing later that year.

Presley’s interpretation of “Unchained Melody” was heavily influenced by the Righteous Brothers’ version, particularly Bobby Hatfield’s soulful delivery. Elvis’s respect for the song and its performers was evident, and his live performances paid tribute to the emotional intensity that the Righteous Brothers had infused into the piece.

The lasting popularity of “Unchained Melody” can be attributed to its universal theme of longing and the powerful performances by artists like the Righteous Brothers and Elvis Presley. Each artist brought their own unique interpretation, yet both successfully captured the song’s essence, resonating with audiences across different generations.

Reflecting on the song’s legacy, it’s important to note that “Unchained Melody” has been covered by numerous artists across various genres, each adding their own style to the timeless classic. However, the Righteous Brothers’ 1965 live performance stands out as a defining moment in music history, demonstrating the impact of live performance and the deep emotional connection music can create between artists and their audience.

For those interested in experiencing this legendary performance, a restored version is available online, offering high-quality audio and visual elements that capture the magic of the original 1965 broadcast. This rendition underscores the enduring appeal of “Unchained Melody” and highlights the Righteous Brothers’ significant contribution to popular music.

In summary, the Righteous Brothers’ live 1965 performance of “Unchained Melody,” alongside Elvis Presley’s heartfelt renditions, has solidified the song’s status as a timeless classic. Their interpretations continue to inspire and move listeners, emphasizing the song’s universal appeal and the profound influence of soulful expression in music.

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