A Remarkable Display of Coordination: Playing Bohemian Rhapsody on Multiple Keyboards with All Four Limbs
Josh Stafford is a highly regarded organ recitalist whose expertise has firmly established him as a prominent figure in the orchestral music arena for many years. After earning his Master of Music degree from Yale School of Music in 2012, he advanced his reputation with a performance that captured the attention of a broader audience. In 2020, his extraordinary cover of a classic Queen song went viral on YouTube, dramatically increasing his visibility and drawing in millions of new fans from around the world.
Undertaking a piece as complex as a Queen classic is challenging even for someone with Josh Stafford’s considerable talent. His rendition of the renowned hit “Bohemian Rhapsody” is particularly noteworthy, given that the song is celebrated for its intricate structure and dramatic shifts in dynamics. Originally featured as the lead single on Queen’s iconic album “A Night at the Opera,” this masterpiece defies convention, and Stafford’s ability to reproduce its multifaceted character on a single instrument speaks volumes about his skill and artistic vision.
The instrument that Josh Stafford commands is no ordinary organ; it is the largest pipe organ ever constructed, a marvel recognized by the Guinness Book of World Records. Situated in Atlantic City’s Boardwalk Hall, the colossal organ features an astounding 33,112 pipes, 447 ranks, and seven manuals. Built in 1929 by Midmer-Losh, this legendary instrument stands as a monumental testament to the power and grandeur of pipe organ construction and continues to inspire performers and audiences alike with its majestic presence.
Mastering such a formidable instrument is an incredible achievement, and Josh Stafford pushes the envelope of traditional playing methods in his live performances. During the climactic rock section of his rendition of “Bohemian Rhapsody,” Stafford demonstrates his extraordinary versatility by using not just his hands but also his feet to control additional bass keys situated beneath the main console. This dual-action technique amplifies the impact of his performance, creating a rich, immersive auditory experience that captivates listeners and highlights his innovative approach to the art of organ playing.
The sheer scale and complexity of the organ itself further accentuates the brilliance of Stafford’s performance. Known as the largest pipe organ on the planet, it boasts an impressive seven keyboards on the main console, along with an additional set of keys that are played with the feet. This elaborate setup allows for a vast range of tonal possibilities, and Stafford utilizes every nuance to render a performance that resonates with both technical precision and soulful expression, making it clear why he is held in such high regard by his peers and audience alike.
For those interested in experiencing a more traditional side of his artistry, Josh Stafford also offers a beautifully crafted rendition of the timeless Christmas carol, “Oh Come All Ye Faithful.” This performance is especially poignant given his roles as the Director of Music at Riverside Presbyterian Church in Jacksonville, Florida, and as the Director of Sacred Music at the Chautauqua Institute in New York. His interpretation of the carol is delivered with a reverence and clarity that underscore his deep connection to sacred music and his commitment to preserving its emotional and spiritual power.
In addition to his celebrated recitals, Josh Stafford has distinguished himself as an exceptional improviser and accompanist for silent films. His ability to create spontaneous, moving musical narratives on the organ adds another dimension to his already impressive skill set. Stafford’s performances in these settings highlight his remarkable adaptability and showcase a talent for translating on-screen emotions into a powerful musical dialogue that enhances the viewer’s experience and deepens the overall impact of the film.
The idea of an organ recital often invokes images of solemnity and grandeur, yet Josh Stafford infuses his performances with a dynamic energy that defies these stereotypes. His command over the instrument transforms the traditional recital format into a vibrant display of musical versatility. Through each performance, Stafford not only honors the heritage of the organ but also reinvents it, showcasing an impressive range of techniques that breathe new life into both classic pieces and contemporary compositions.
It is a rare sight to witness such a profound connection between a musician and his instrument. Josh Stafford exemplifies this bond by consistently delivering performances that are as technically impeccable as they are emotionally stirring. His ability to manipulate the vast array of sounds produced by the world’s largest pipe organ is a testament to his deep understanding of both the instrument and the music he performs. With every recital, he reinforces the organ’s reputation as one of the most versatile and powerful instruments in the world, proving that innovation and tradition can coexist harmoniously.
Throughout his career, Josh Stafford has continually pushed the boundaries of what is possible with the organ. His journey from a dedicated recitalist to a viral sensation exemplifies the impact that passion, dedication, and artistic brilliance can have on an audience. Whether he is reimagining iconic rock anthems or breathing fresh interpretations into sacred music, his performances resonate on multiple levels, inspiring audiences to appreciate the true magic of the organ and its enduring place in the world of music.
